What I listened to today
Re: What I listened to today
Bach's Chromatic Fantasy & Fugue (Tureck)
Good music is that which falls upon the ear with ease and quits the memory with difficulty.
--Sir Thomas Beecham
--Sir Thomas Beecham
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Re: What I listened to today
Heard on radio today, Malcolm Arnold's brief Concerto for Two Pianos -Three Hands:
https://www.youtube.com/watch?v=iL9eng-9wnw
https://www.youtube.com/watch?v=iL9eng-9wnw
Re: What I listened to today
Malcolm Arnold is vastly underrated, IMHO. Thanks for this! My recording below:Rach3 wrote: ↑Thu Jul 28, 2022 11:10 amHeard on radio today, Malcolm Arnold's brief Concerto for Two Pianos -Three Hands:
https://www.youtube.com/watch?v=iL9eng-9wnw
Re: What I listened to today
https://www.discogs.com/release/8042777 ... r-Volume-2
https://www.discogs.com/release/6964162 ... -The-Piano
....and the Brahms F Minor Sonata; HAROLD BAUER was a rarity among pianists....a pianist who made music with unfailing taste, and who took up the piano only in his mid-20s, at the behest of Paderewski (Bauer gave up a huge career as a violinist).
https://www.discogs.com/release/6964162 ... -The-Piano
....and the Brahms F Minor Sonata; HAROLD BAUER was a rarity among pianists....a pianist who made music with unfailing taste, and who took up the piano only in his mid-20s, at the behest of Paderewski (Bauer gave up a huge career as a violinist).
Good music is that which falls upon the ear with ease and quits the memory with difficulty.
--Sir Thomas Beecham
--Sir Thomas Beecham
Re: What I listened to today
I have a CD of Harold Bauer on Nimbus with piano rolls, and agree with your assessment, but have not had the chance to explore further. I do like his Bach better than his Brahms, which sounds a bit disjointed to me. Your post has given me some ideas. Thanks, Neil.neilnw wrote: ↑Fri Jul 29, 2022 8:19 pmhttps://www.discogs.com/release/8042777 ... r-Volume-2
https://www.discogs.com/release/6964162 ... -The-Piano
....and the Brahms F Minor Sonata; HAROLD BAUER was a rarity among pianists....a pianist who made music with unfailing taste, and who took up the piano only in his mid-20s, at the behest of Paderewski (Bauer gave up a huge career as a violinist).
Re: What I listened to today
And thanks for the extra link. Here's the (belated) link I had to google to get the LP I was speaking of on discogs....An LP I had till 30 years ago, when it went to a richer home:
https://www.discogs.com/sell/item/1751975962
https://www.discogs.com/sell/item/1751975962
Good music is that which falls upon the ear with ease and quits the memory with difficulty.
--Sir Thomas Beecham
--Sir Thomas Beecham
Re: What I listened to today
Igor Levit,NDR Elbphilharmonie Orchester,Alan Gilbert, Schleswig-Holstein Festival July,2022, Brahms’ 2nd PC.Good quality video.Does not replace my fav readings by Gilels and Backhaus and Rubinstein, but very fine by all concerned,Levit's playing energized the orchestra.
https://www.youtube.com/watch?v=HfZ402SU6Io
Encore: Schumann, “ Der Dichter spricht “ from “Kinderscenen “
https://www.youtube.com/watch?v=HfZ402SU6Io
Encore: Schumann, “ Der Dichter spricht “ from “Kinderscenen “
Re: What I listened to today
Thanks, Steve. I will watch this today.Rach3 wrote: ↑Sun Jul 31, 2022 10:29 amIgor Levit,NDR Elbphilharmonie Orchester,Alan Gilbert, Schleswig-Holstein Festival July,2022, Brahms’ 2nd PC.Good quality video.Does not replace my fav readings by Gilels and Backhaus and Rubinstein, but very fine by all concerned,Levit's playing energized the orchestra.
https://www.youtube.com/watch?v=HfZ402SU6Io
Encore: Schumann, “ Der Dichter spricht “ from “Kinderscenen “
My all-time favorite of Brahms II would be Richter/Leinsdorf, fww. Then add in Stephen Hough, Hamelin, Peter Serkin, Lars Vogt. The second movement of Richter/Leinsdorf/Chicago was recorded in one long take.
Re: What I listened to today
Beethoven's Cantata on the Accession of King Leopold II, WoO 88 (kaljuste, Estonian NSO, Cameron, Joks, Korts )
Mozart's 35th & Haydn's 101st (Toscanini 1, both w/NYP)
Rimsky's Antar Symphony (Gould)
Mozart's 35th & Haydn's 101st (Toscanini 1, both w/NYP)
Rimsky's Antar Symphony (Gould)
Good music is that which falls upon the ear with ease and quits the memory with difficulty.
--Sir Thomas Beecham
--Sir Thomas Beecham
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Re: What I listened to today
More good listening to accompany my walks in the neighborhood. This "second-tier" composer wrote some very appealing music, and the young Stephen Hough (this was recorded in 1992) brings both brilliance and poetry to these works.
Re: What I listened to today
Hank, that's a lovely disc, my copy from MHS. Hummel wrote very fine chamber music as well, as on this disc I bought recently on Lance's recommendation:
Re: What I listened to today
Completely agree about those two Hummel PC's.His Piano Sonatas are very fine as well, especially Nos.4 and 5. Here is the slow mov.of 5, but do hear the whole work:Ricordanza wrote: ↑Tue Aug 02, 2022 6:00 amMore good listening to accompany my walks in the neighborhood. This "second-tier" composer wrote some very appealing music, and the young Stephen Hough (this was recorded in 1992) brings both brilliance and poetry to these works.
https://www.youtube.com/watch?v=k-2roQD ... dbLs-Zqsno
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Re: What I listened to today
Glenn Gould —> ‘How Mozart Became a Bad Composer’. The problem is, GG proposes, “Too many of his works sound like interoffice memos.” https://www.youtube.com/watch?v=1pR74rorRxs
Yep, this nut *was* a genius. I laughed all the way thru his stunning commentary exploding my presuppositions EXCEPT when Gould *touched* the keyboard. Then my jaw dropped.
Yep, this nut *was* a genius. I laughed all the way thru his stunning commentary exploding my presuppositions EXCEPT when Gould *touched* the keyboard. Then my jaw dropped.
Re: What I listened to today
More from that most underrated of Sibelius conductors, Tauno Hannikainen, doing Sibelius' Fourth:
https://www.youtube.com/watch?v=udpQmZzuGqU&t=68s
https://www.youtube.com/watch?v=udpQmZzuGqU&t=68s
Good music is that which falls upon the ear with ease and quits the memory with difficulty.
--Sir Thomas Beecham
--Sir Thomas Beecham
Re: What I listened to today
Mahler's Das Lied von der Erde (Reiner/Forrester/Klein)
....this was from the Mahler edition of Time-Life's Great Men of Music series--two lone discs separated from their two mates, mainly as part of my new playstack of LPs I was working on till dehydration hit me, and I was hospitalized about 10 days, and Most of my album collection got donated to the local Goodwill! Whoever was buying that whole set (30 volumes) was in for a nasty surprise with that volume--that is, unless it was being sold as separate albums (most likely). As Goodwill normally charge $2 per disc, one who was going for the whole set could bargain on spending $240 for the nearly-whole set.
....this was from the Mahler edition of Time-Life's Great Men of Music series--two lone discs separated from their two mates, mainly as part of my new playstack of LPs I was working on till dehydration hit me, and I was hospitalized about 10 days, and Most of my album collection got donated to the local Goodwill! Whoever was buying that whole set (30 volumes) was in for a nasty surprise with that volume--that is, unless it was being sold as separate albums (most likely). As Goodwill normally charge $2 per disc, one who was going for the whole set could bargain on spending $240 for the nearly-whole set.
Good music is that which falls upon the ear with ease and quits the memory with difficulty.
--Sir Thomas Beecham
--Sir Thomas Beecham
Re: What I listened to today
A little update on this post:
viewtopic.php?f=10&t=29030&p=523924#p523924
My good stylus has just begun distorting, so I'm going ahead on using that on the above-mentioned set. I'll try to add thoughts of my own on the performances....I have high expectations for this set, having never been a Van Beinum buff.
viewtopic.php?f=10&t=29030&p=523924#p523924
My good stylus has just begun distorting, so I'm going ahead on using that on the above-mentioned set. I'll try to add thoughts of my own on the performances....I have high expectations for this set, having never been a Van Beinum buff.
Good music is that which falls upon the ear with ease and quits the memory with difficulty.
--Sir Thomas Beecham
--Sir Thomas Beecham
Re: What I listened to today
Neil, do try to hear Bruno Walter's 1960 stereo version of Das Lied von der Erde with Mildred Miller and the great German tenor Ernst Haefliger. Fww, I have a special relationship with that recording and prefer both the conducting and singing on that one. Here's the LP cover:neilnw wrote: ↑Fri Aug 05, 2022 7:42 pmMahler's Das Lied von der Erde (Reiner/Forrester/Klein)
....this was from the Mahler edition of Time-Life's Great Men of Music series--two lone discs separated from their two mates, mainly as part of my new playstack of LPs I was working on till dehydration hit me, and I was hospitalized about 10 days, and Most of my album collection got donated to the local Goodwill! Whoever was buying that whole set (30 volumes) was in for a nasty surprise with that volume--that is, unless it was being sold as separate albums (most likely). As Goodwill normally charge $2 per disc, one who was going for the whole set could bargain on spending $240 for the nearly-whole set.
Re: What I listened to today
Already have that album, thank you (with original jacket)...agree wholeheartedly about the performance.
Good music is that which falls upon the ear with ease and quits the memory with difficulty.
--Sir Thomas Beecham
--Sir Thomas Beecham
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Re: What I listened to today
Stokowski-Philadelphia Orchestra - Mahler Symphony No. 2 (Nov. 9, 1967). Stoki, true to form, makes cuts in the last mvmt.
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Re: What I listened to today
Ormandy-Philadelphia Orchestra - Tchaikovsky: Symphony 6 (13.12.1936 & 9.1.1937), Mussorgsky: Pictures at an Exhibition, arr. Cailliet (17.10.1937). Biddulph 1997. Transfers by Mark Obert-Thorn. Two firsts here: the PIT 6th was Ormandy's first recording with the Philadelphians. The Pictures was the world-premiere recording of the Lucien Cailliet orchestration.
Re: What I listened to today
The 'Pathetique' was sort of a specialty item throughout much of Ormandy's recording career: it was his first release for RCA, then his first (IIRC) release during the Columbia 78 era. It was then his premier release upon his & the orchestra's return to RCA in 1968, and Columbia reissued its stereo recording (MS-6169) to compete head-to-head with the Victor disc. And both these Columbia issues of the same performance remained in the catalog for quite a few years.jserraglio wrote: ↑Mon Aug 08, 2022 8:30 amOrmandy-Philadelphia Orchestra - Tchaikovsky: Symphony 6 (13.12.1936 & 9.1.1937), Mussorgsky: Pictures at an Exhibition, arr. Cailliet (17.10.1937). Biddulph 1997. Transfers by Mark Obert-Thorn. Two firsts here: the PIT 6th was Ormandy's first recording with the Philadelphians. The Pictures was the world-premiere recording of the Lucien Cailliet orchestration.
Good music is that which falls upon the ear with ease and quits the memory with difficulty.
--Sir Thomas Beecham
--Sir Thomas Beecham
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Re: What I listened to today
He recorded it last in 1981 for Delos near the end.neilnw wrote: ↑Mon Aug 08, 2022 9:52 amThe 'Pathetique' was sort of a specialty item throughout much of Ormandy's recording career: it was his first release for RCA, then his first (IIRC) release during the Columbia 78 era. It was then his premier release upon his & the orchestra's return to RCA in 1968, and Columbia reissued its stereo recording (MS-6169) to compete head-to-head with the Victor disc. And both these Columbia issues of the same performance remained in the catalog for quite a few years.jserraglio wrote: ↑Mon Aug 08, 2022 8:30 amOrmandy-Philadelphia Orchestra - Tchaikovsky: Symphony 6 (13.12.1936 & 9.1.1937), Mussorgsky: Pictures at an Exhibition, arr. Cailliet (17.10.1937). Biddulph 1997. Transfers by Mark Obert-Thorn. Two firsts here: the PIT 6th was Ormandy's first recording with the Philadelphians. The Pictures was the world-premiere recording of the Lucien Cailliet orchestration.
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Re: What I listened to today
Szell & The Cleveland Orchestra - Tchaikovsky Symphony No. 6 1969 Blossom Music Festival WCLV broadcast. Though he did record him, Szell was not a conductor I ever associated with Tchaikovsky, let alone with the Pathetique, which I'm pretty sure he never recorded commercially; but this is a very sensitive performance.
I love the rousing applause and shouts of approval this summer crowd gave the players after the third movement. Szell had the orchestra stand to acknowledge them.
One year later, Szell would be dead.
I love the rousing applause and shouts of approval this summer crowd gave the players after the third movement. Szell had the orchestra stand to acknowledge them.
One year later, Szell would be dead.
Re: What I listened to today
Oops! I got the wrong catalog number up above....I got it from a google, which has many discs misidentified. It's really MS-6160.jserraglio wrote: ↑Mon Aug 08, 2022 12:03 pmHe recorded it last in 1981 for Delos near the end.neilnw wrote: ↑Mon Aug 08, 2022 9:52 amThe 'Pathetique' was sort of a specialty item throughout much of Ormandy's recording career: it was his first release for RCA, then his first (IIRC) release during the Columbia 78 era. It was then his premier release upon his & the orchestra's return to RCA in 1968, and Columbia reissued its stereo recording (MS-6169) to compete head-to-head with the Victor disc. And both these Columbia issues of the same performance remained in the catalog for quite a few years.jserraglio wrote: ↑Mon Aug 08, 2022 8:30 amOrmandy-Philadelphia Orchestra - Tchaikovsky: Symphony 6 (13.12.1936 & 9.1.1937), Mussorgsky: Pictures at an Exhibition, arr. Cailliet (17.10.1937). Biddulph 1997. Transfers by Mark Obert-Thorn. Two firsts here: the PIT 6th was Ormandy's first recording with the Philadelphians. The Pictures was the world-premiere recording of the Lucien Cailliet orchestration.
I should've known that first number had a familiar ring--It's one of Ormandy's very greatest, his second account of Ravel's Bolero, one of the few perfect ones, with Tombeau and Alborada.
Good music is that which falls upon the ear with ease and quits the memory with difficulty.
--Sir Thomas Beecham
--Sir Thomas Beecham
Re: What I listened to today
I've spent the past week listening to the 8-record set from Philips, The Art of Eduard van Beinum, a 1978 compilation. I've heard nearly all the set, bypassing the three-sider Bruckner Fifth. Couldn't have put it on even if I tried, as by the thirteenth side my already-worn stylus had died on me, once and for all.
From my perspective, van Beinum was a conductor who could nearly always be counted on to deliver thoughtful, imaginative, patrician performances of standard repertory items. His Schubert Sixth is sprightly and spirited; his account of the "Unfinished" has profundity.
Beinum had a special affinity for Debussy; I once had an LP of his La mer. Here we have almost a solid hour's worth of idiomatically played Debussy: here is a maestro who could rival Dutoit in attaining the veiled type of sound called for. As stated above, my hearing of the three Nocturnes was aborted by the thoroughly-worn stylus. But the three Images allowed me to get a somewhat clearer picture of Beinum's way with the composer; extra brownie-points to Philips for being able to squeeze the complete cycle onto one LP side (about 32 minutes).
There's a disc's worth of pops favorites--Finlandia, Merry Wives of Windsor, Roman Carnival, Stars & Stripes Forever, Two Elegiac Melodies plus several others. Again, the maestro was most reliable.
Bartok's Music for Strings, Percussion & Celesta finds Beinum on not-quite-as-comfortable turf--it wasn't till the last two movements that I found myself getting into his personalized treatment. (I once had a disc of Beinum's Concerto for Orchestra; again, a performance split right down the middle.)
Kodaly's suite from Hary Janos finds him again on comfy turf, as does Mendelssohn's "Italian" Symphony.
I didn't put on the Scheherazade LP--I apparently didn't bathe it like all the others (to get out that embedded sawdust).
His Mozart 29th is a winner all the way.
From my perspective, van Beinum was a conductor who could nearly always be counted on to deliver thoughtful, imaginative, patrician performances of standard repertory items. His Schubert Sixth is sprightly and spirited; his account of the "Unfinished" has profundity.
Beinum had a special affinity for Debussy; I once had an LP of his La mer. Here we have almost a solid hour's worth of idiomatically played Debussy: here is a maestro who could rival Dutoit in attaining the veiled type of sound called for. As stated above, my hearing of the three Nocturnes was aborted by the thoroughly-worn stylus. But the three Images allowed me to get a somewhat clearer picture of Beinum's way with the composer; extra brownie-points to Philips for being able to squeeze the complete cycle onto one LP side (about 32 minutes).
There's a disc's worth of pops favorites--Finlandia, Merry Wives of Windsor, Roman Carnival, Stars & Stripes Forever, Two Elegiac Melodies plus several others. Again, the maestro was most reliable.
Bartok's Music for Strings, Percussion & Celesta finds Beinum on not-quite-as-comfortable turf--it wasn't till the last two movements that I found myself getting into his personalized treatment. (I once had a disc of Beinum's Concerto for Orchestra; again, a performance split right down the middle.)
Kodaly's suite from Hary Janos finds him again on comfy turf, as does Mendelssohn's "Italian" Symphony.
I didn't put on the Scheherazade LP--I apparently didn't bathe it like all the others (to get out that embedded sawdust).
His Mozart 29th is a winner all the way.
Good music is that which falls upon the ear with ease and quits the memory with difficulty.
--Sir Thomas Beecham
--Sir Thomas Beecham
Re: What I listened to today
Here's a link to a couple of nice cheap copies of the set: https://www.discogs.com/sell/release/11726796?ev=rb
Good music is that which falls upon the ear with ease and quits the memory with difficulty.
--Sir Thomas Beecham
--Sir Thomas Beecham
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Re: What I listened to today
Leopold Stokowski & the Hollywood Bowl SO => Bach Matthäus-Passion, abridged and sung in English, 1946.
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Re: What I listened to today
Schumann: Manfred Overture
Benjamin Lees: Concerto for String Quartet and Orchestra
Walton: Variations of a Theme by Hindemith
Beethoven: Piano Concerto No. 5 (Emperor)
Cleveland Orchestra
George Szell, conductor
Clifford Curzon, piano
Jan 26, 1967
WCLV broadcast
Benjamin Lees: Concerto for String Quartet and Orchestra
Walton: Variations of a Theme by Hindemith
Beethoven: Piano Concerto No. 5 (Emperor)
Cleveland Orchestra
George Szell, conductor
Clifford Curzon, piano
Jan 26, 1967
WCLV broadcast
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Re: What I listened to today
Rochberg: Symphony No. 2 world premiere. 1959 Szell/Cleveland.
Who knew Szell championed a serialist work.
Who knew Szell championed a serialist work.
Re: What I listened to today
...part of an MTT/BSO concert from 9/24/70:
Sibelius' Fourth
Schoenberg's 5 Pieces for Orchestra
Wagner's Dawn & Siegfried's Rhine Journey
Sibelius' Fourth
Schoenberg's 5 Pieces for Orchestra
Wagner's Dawn & Siegfried's Rhine Journey
Good music is that which falls upon the ear with ease and quits the memory with difficulty.
--Sir Thomas Beecham
--Sir Thomas Beecham
Re: What I listened to today
Some more BSO concerts, all from Tanglewood:
Brahms' First (Leinsdorf, 8/14/66)....as good as a performance can get of this work
AND....
this concert from 8/7/64: Schuller conducting his 7 Studies on Themes of Paul Klee (some audience guffaws audible), and former asst. conductor & concertmaster Richard Burgin, leading La mer
Brahms' First (Leinsdorf, 8/14/66)....as good as a performance can get of this work
AND....
this concert from 8/7/64: Schuller conducting his 7 Studies on Themes of Paul Klee (some audience guffaws audible), and former asst. conductor & concertmaster Richard Burgin, leading La mer
Good music is that which falls upon the ear with ease and quits the memory with difficulty.
--Sir Thomas Beecham
--Sir Thomas Beecham
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Re: What I listened to today
Julia Fischer shows off her considerable skills as a violinist AND a pianist on this album, which I recently downloaded to my iPhone. The three pieces on this album (Duo Sonata for violin and piano in A Major, D. 574; Fantasy in C Major for violin and piano, D. 934; and Fantasy for piano duet in F Minor, D. 940) are all wonderfully melodic (of course, it's Schubert), and enormously appealing. These performances by Julia Fischer and Martin Helmchen are superb.
Re: What I listened to today
Berwald's Symphony #1 ('Serieuse')....led by Schmidt-Isserstedt
Good music is that which falls upon the ear with ease and quits the memory with difficulty.
--Sir Thomas Beecham
--Sir Thomas Beecham
Re: What I listened to today
Posted Aug.21 at YT.
Zlata Chochieva plays Liszt “ Totentanz” (Paraphrase über Dies irae) S126 ii , Moscow 2013
Russian State Symphony Orchestra cond. Stanislav Kochanovsky
Tchaikovsky Hall Moscow 25 October 2013
https://www.youtube.com/watch?v=ivZNYQkUJOk
She makes the work better than it is. Her Rachmaninoff and Scriabin playing is also very worth hearing. A pianist I follow.
Encore : Chopin, Etude Op.10, #3.
Zlata Chochieva plays Liszt “ Totentanz” (Paraphrase über Dies irae) S126 ii , Moscow 2013
Russian State Symphony Orchestra cond. Stanislav Kochanovsky
Tchaikovsky Hall Moscow 25 October 2013
https://www.youtube.com/watch?v=ivZNYQkUJOk
She makes the work better than it is. Her Rachmaninoff and Scriabin playing is also very worth hearing. A pianist I follow.
Encore : Chopin, Etude Op.10, #3.
Re: What I listened to today
Doreen Carwithen's 2nd String Quartet live at this year's Proms:
https://www.bbc.co.uk/sounds/play/m001b5k9
The composer mentioned in another topic here about her piano concerto.
https://www.bbc.co.uk/sounds/play/m001b5k9
The composer mentioned in another topic here about her piano concerto.
Re: What I listened to today
A repeat of a January,2022 broadcast, but I wanted to hear the early Strauss again ; heard only the Strauss ; great performance:
Enregistré le 04/10/2021 au Markus Sittikus Hall, Hohenems, Schubertiade Schwarzenberg 2021:
Gustav Mahler - Quatuor à clavier en la mineur
Robert Schumann - Quatuor à clavier en Mi bémol Majeur, op. 47
Richard Strauss - Quatuor à clavier en do mineur, op. 13
Johannes Brahms - Rondo alla Zingarese : Presto, extrait du Quatuor à clavier en sol mineur, op. 25' (bis)
Clara Schumann - Ich stand in dunklen Träumen, op. 13/1 (bis) (Arrangemment Kian Soltani)
Hyeyoon Park, violon
Timothy Ridout, alto
Kian Soltani, violoncelle
Benjamin Grosvenor, piano
https://www.rtbf.be/auvio/detail_concer ... id=2931019 (At about 42:00 in )
Enregistré le 04/10/2021 au Markus Sittikus Hall, Hohenems, Schubertiade Schwarzenberg 2021:
Gustav Mahler - Quatuor à clavier en la mineur
Robert Schumann - Quatuor à clavier en Mi bémol Majeur, op. 47
Richard Strauss - Quatuor à clavier en do mineur, op. 13
Johannes Brahms - Rondo alla Zingarese : Presto, extrait du Quatuor à clavier en sol mineur, op. 25' (bis)
Clara Schumann - Ich stand in dunklen Träumen, op. 13/1 (bis) (Arrangemment Kian Soltani)
Hyeyoon Park, violon
Timothy Ridout, alto
Kian Soltani, violoncelle
Benjamin Grosvenor, piano
https://www.rtbf.be/auvio/detail_concer ... id=2931019 (At about 42:00 in )
Re: What I listened to today
An exhilarating performance of Prokofieff's 3rd PC at 2022 Proms, by pianist Benjamin Grosvenor and the Vienna Radio Orchestra ( formerly known as ORF ) under Marin Alsop, one of the best I've heard, live or recorded:
https://www.bbc.co.uk/sounds/play/m0019xhs
https://www.bbc.co.uk/sounds/play/m0019xhs
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Re: What I listened to today
Agree with you about the Prokofiev: Grosvenor in fine form, also in the Ravel encore. The Bartok that preceded it was more typical Alsop, bland and without personality. I much prefer Boulez there.Rach3 wrote: ↑Tue Aug 23, 2022 9:59 amAn exhilarating performance of Prokofieff's 3rd PC at 2022 Proms, by pianist Benjamin Grosvenor and the Vienna Radio Orchestra ( formerly known as ORF ) under Marin Alsop, one of the best I've heard, live or recorded:
https://www.bbc.co.uk/sounds/play/m0019xhs
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Re: What I listened to today
Dutch pianist Martyn van den Hoek died recently, a pianist I must confess not having known about or heard. He won the 1986 International Franz Liszt Competition then being held in Utrecht,Netherlands every 3 years. Here is his final solo recital given at that 1986 Competition. Technically stunning, although a bit hard edged for my taste, especially in “ Harmonies.” I believe may have been my first hearing of the “Puritains”- what a hoot !! Also at the site, his performance of the Liszt PC # 2 I did not hear.
https://www.nporadio4.nl/concerten/553c ... cours-1986
Années de pelèrinage, deuxième année S.161, "L'Italie" - nr.7, "Après une lecture du Dante. Fantasia quasi sonata"
Album d'un voyageur, boek 2 S.156, "Impressions et poésies" - nr.6, "Psaume. Andante"
Etudes d'exécution transcendante (12) S.139 - nr.11, "Harmonies du soir. Andantino"
Réminiscences des Puritains, S.390
Utrecht, June 9, 1986
https://www.nporadio4.nl/concerten/553c ... cours-1986
Années de pelèrinage, deuxième année S.161, "L'Italie" - nr.7, "Après une lecture du Dante. Fantasia quasi sonata"
Album d'un voyageur, boek 2 S.156, "Impressions et poésies" - nr.6, "Psaume. Andante"
Etudes d'exécution transcendante (12) S.139 - nr.11, "Harmonies du soir. Andantino"
Réminiscences des Puritains, S.390
Utrecht, June 9, 1986
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- Location: Cleveland, Ohio
Re: What I listened to today
Artur Rodzinski-Chicago Symphony Orchestra - Strauss Also sprach Zarathustra, Wagner Prelude & Liebestod from Tristan und Isolde 1947 RCA LM-1060.
Re: What I listened to today
Pianist Zlata Chochieva again.
Live at Wigmore Hall in 2019 with some rarities, and an extraordinary live reading of the Sonata.
https://www.youtube.com/watch?v=bBFNtmBSi9Q
The Chopin Mazurka and third Scriabin Mazurka listed at YT are not in the actual YT.
Aleksandr Skryabin (1872-1915)
Mazurka in F sharp minor Op. 3 No. 2
Mazurka in F minor Op. 25 No. 1
Fryderyk Chopin
Mazurka in A minor Op. posth.
Aleksandr Skryabin
Mazurka in F sharp minor Op. 25 No. 7
Franz Liszt (1811-1886)
Valse oubliée S215 No. 2
Sergey Rachmaninov
Canon in E minor
Prelude in F
Fragments
Oriental Sketch
Piano Sonata No. 1 in D minor Op. 28
Encore
Johann Sebastian Bach (1685-1750)
Flute Sonata in E flat BWV1031
II. Siciliano (arr. Ignaz Friedman)
Live at Wigmore Hall in 2019 with some rarities, and an extraordinary live reading of the Sonata.
https://www.youtube.com/watch?v=bBFNtmBSi9Q
The Chopin Mazurka and third Scriabin Mazurka listed at YT are not in the actual YT.
Aleksandr Skryabin (1872-1915)
Mazurka in F sharp minor Op. 3 No. 2
Mazurka in F minor Op. 25 No. 1
Fryderyk Chopin
Mazurka in A minor Op. posth.
Aleksandr Skryabin
Mazurka in F sharp minor Op. 25 No. 7
Franz Liszt (1811-1886)
Valse oubliée S215 No. 2
Sergey Rachmaninov
Canon in E minor
Prelude in F
Fragments
Oriental Sketch
Piano Sonata No. 1 in D minor Op. 28
Encore
Johann Sebastian Bach (1685-1750)
Flute Sonata in E flat BWV1031
II. Siciliano (arr. Ignaz Friedman)
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- Posts: 11937
- Joined: Sun May 29, 2005 7:06 am
- Location: Cleveland, Ohio
Re: What I listened to today
Barenboim/Chicago - Saint-Saens Organ Symphony 1976 DG.
Re: What I listened to today
An absolutely first-class recording, with the organ dubbed in from.....Chartres. A personal favorite, along with Michael Murray/Ormandy on Telarc and, of course, Munch.
Re: What I listened to today
A truly excellent recital with interesting repertoire. I will follow Zlata Chochieva. Many thanks!Rach3 wrote: ↑Sun Aug 28, 2022 5:31 pmPianist Zlata Chochieva again.
Live at Wigmore Hall in 2019 with some rarities, and an extraordinary live reading of the Sonata.
https://www.youtube.com/watch?v=bBFNtmBSi9Q
The Chopin Mazurka and third Scriabin Mazurka listed at YT are not in the actual YT.
Aleksandr Skryabin (1872-1915)
Mazurka in F sharp minor Op. 3 No. 2
Mazurka in F minor Op. 25 No. 1
Fryderyk Chopin
Mazurka in A minor Op. posth.
Aleksandr Skryabin
Mazurka in F sharp minor Op. 25 No. 7
Franz Liszt (1811-1886)
Valse oubliée S215 No. 2
Sergey Rachmaninov
Canon in E minor
Prelude in F
Fragments
Oriental Sketch
Piano Sonata No. 1 in D minor Op. 28
Encore
Johann Sebastian Bach (1685-1750)
Flute Sonata in E flat BWV1031
II. Siciliano (arr. Ignaz Friedman)
Re: What I listened to today
Thanks for the link Neil. My 8 lp set of Van Beinem arrived a few weeks ago. The sound is very good mono (except for the Bruckner 5 which has abysmal sound). I agree with your assessments generally. I never considered myself a particular fan of this artist but the set has gone some way to change my mind.neilnw wrote: ↑Wed Aug 10, 2022 8:38 pmHere's a link to a couple of nice cheap copies of the set: https://www.discogs.com/sell/release/11726796?ev=rb
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